This best-selling debut by an award-winning writer is both an eerie contemporary ghost story and a dread-inducing psychological thriller. Maggie is a successful young artist who has had bad luck with men. Her last put her in the hospital and, after she’s healed physically, left her needing to get out of London to heal mentally and find a place of quiet that will restore her creative spirit. On the rugged west coast of Ireland, perched on a wild cliff side, she spies the shell of a cottage that dates back to Great Famine and decides to buy it. When work on the house is done, she invites her dealer to come for the weekend to celebrate along with a couple of women friends, one of whom will become his wife. On the boozy last night, the other friend pulls out an Ouija board. What sinister thing they summon, once invited, will never go.
Ireland is a country haunted by its past. In Billy O'Callaghan's hands, its terrible beauty becomes a force of inescapable horror that reaches far back in time, before the Famine, before Christianity, to a pagan place where nature and superstition are bound in an endless knot.
AuthorBy Billy O'Callaghan
Published1 May 2018
Dimensions5.50 x 8.25in.
About the author
Billy O'Callaghan won the Irish Book Award for the title story of his collection The Things We Lose, the Things We Leave Behind and is the author of two other short story collections, In Exile and In Too Deep. His debut novel, The Dead House, was an Irish Times bestseller. He was a finalist for the 2016 COSTA Short Story Award, the Glimmer Train Prize, the Faulkner Wisdom Prize, and the Seán Ó Faoláin Award and has published his stories widely on both sides of the Atlantic. He resides in County Cork, Ireland.
"A moving work that builds to an elegiac climax and is a welcome voice to the pantheon of new Irish writing."—Edna O'Brien
"Billy O’Callaghan’s work is at once subtle and direct, warm and clear-eyed, and never less than beautifully written. He has a moving ability to express the hopes and fears of 'ordinary' people, and he knows intimately the ways of the world. This writer is the real thing." —John Banville
"A superb debut novel . . . O'Callaghan slowly unsettles the reader, line by line, as reality is questioned . . . skilfully conjures up a sense of dread, while at the same time creating a psychological internal terror for his characters."—Evening Echo
"The all-nighter read . . . From the very first chapter, there’s an eerily beautiful stillness to Billy O'Callaghan’s debut. . . An engrossing, striking debut."—Image Magazine
"A skilfull, entertaining piece of work: a traditional ghost story in the best possible sense . . . The Dead House fulfils its formal obligations with subtlety and grace. . . . In particular, Michaels' voice . . . affords considerable readerly pleasure. . . . O'Callaghan’s descriptive prose reaches impressive heights."—Sunday Business Post
:"The burdens of memory and the effects of isolation certainly run through O’Callaghan’s work to date and The Dead House gives them a space in which the haunting of the past finds its most literal expression: the ghost."—Irish Examiner
"A great tale, well-told . . . O'Callaghan conjures such believable characters that when you close your eyes it’s impossible to believe that they’ve never actually drawn a breath. He delivers a perfect ending to this ghost story ensuring the reader is left haunted, just enough, to have them looking over their shoulder as they climb the stairs to bed."—Susan Condon, writing.ie
"[A] striking debut. . . Billy O'Callaghan casts a fearful gaze into the world of supernatural occurrences."—RTÉ
"The Dead House, with a shiver-inducing final few pages, is a wonderfully mesmerising read, and I loved it."—Liz Robinson, www.lovereading.com
"Fills you with a psychological dread that is hard to shake . . . Billy O’Callaghan is one of those types of storytellers whose prowess is clearly on display with his impressive début novel."—writerfulbooks.com
"In a first-person voice unlike any other I’ve come across, O’Callaghan gifts us with a story that unfolds in just the way you’d want to hear it by the fireside . . best not read at night. And yet I’d be hard-pressed to label The Dead House a ghost story; though it is that, it is more. . . . All praise 'The Dead House. Do yourself a favor and get ahold of this book."—thewildgeese.irish